One of the principle works of Norwegian orchestral repertoire is Ludvig Irgens-Jensens ‘Passacaglia’, which won a prize at the international Schubert competition in 1928.
Into the Music with Kjersti Dahle begins at 18:30.
Irgens-Jensen’s works follow the Passacaglia structure, with variations over a solid bass in three-parts, but they are interrupted by a fuge and are framed by an introduction and coda. Despite its strict structure, the work is very expressive, and is written in a personally colored senromantic tonal language. The work gained great international recognition – Pauline Hall called the striking piece “A shining feather in the hat for Norwegian music”.
Richard Strauss’s obo concert was written after a request by an American soldier, right after WWII when the composer was 81 years old. The concert is a highlight of the repertoire and is notorious for its high level of difficulty for the soloist. The ability to use circular breathing is a requirement: a technique for squeezing air from the oral cavity while breathing through the nose. And one will truly come to understand why the technique is required, as the soloist has very long phrases and plays almost constantly. The three movements are played without a break.
Brahms composed his third symphony during a stay in Wiesbaden in the summer of 1883. His richter, who directed the Vienna Philharmonic, recognized it as Brahms’ ‘Eroica’. It is Brahms’s shortest symphony and is thus more compressed than the previous ones. The dramatic opening pace with its large-scale ambiguity sets the tone for the entire work.
Brahms uses the F-A-F (Frei Aber Froh) tonal scale as a musical motto for the symphony, as a variant of Joseph Joachim’s F-A-E series (Frei Aber) written 30 years earlier. This motif is most noticeable in the first and last movements. In the second movement, the clarinet has a prominent role, while the third movement became the most popular movement in the whole symphony. It was often performed as an excerpt during Brahms’ time, when the concert performance of the time included applause between the movements.
Christian Vasquez, conductor
Alexei Ogrintchouk, oboe
Strauss: Concert for Oboe og Orchestra
Brahms: Symphony no. 3