Mari Eriksmoen sings Mozart
Mari Eriksmoen sings Mozart
Dates
- 12. November 2020 at 19:30 Few tickets left
- 13. November 2020 at 19:30
PROGRAM CHANGE: This weeks original program and soloists has to be changed due to the governments new Covid19-rules.
WOLFGANG MOZART:
Ouverturen til Figaros bryllup
«Deh vieni, non tardar» fra Figaros bryllup
«Ach, ich fühl’s, es ist verschwunden» fra Tryllefløyten
«Quando avran fine omai» og «Padre, germani, addio!» fra Idomeneo
«Or sai chi l’onore» fra Don Giovanni
LUDWIG VAN BEETHOVEN:
Symfoni nr. 8 i F-dur, Op. 93
Allegro vivace e con brio
Allegretto scherzando
Tempo di menuetto
Allegro vivace
Dalia Stasevska, conductor
Mari Eriksmoen, soprano
Dalia Stasevska’s charismatic and dynamic musicianship has established her as a conductor of exceptional versatility. Principal Guest Conductor to the BBC Symphony Orchestra she made her debut at the 2019 BBC Proms and this season conducted the BBC Symphony Orchestra at the Barbican Centre presenting repertoire such as Stravinsky’s Symphony of Psalms with the BBC Singers and Rachmaninov Symphonic Dances. This season she is Chief Conductor for Lahti Symphony Orchestra (from 2021/22 season).
A passionate opera conductor, Dalia will make her debut with Washington Opera conducting Cosi fanTutte, directed by Renee Fleming. She recently returned to Norske Opera to conduct Madame Butterfly following her debut with Lucia di Lammermoor in 2018. She has conducted Don Giovanni with Kungliga Opera Stockholm, directed by Ole Anders Tandberg as well as Opéra de Toulon conducting Eugene Onegin. She has conducted Cunning Little Vixen with Finnish National Opera as well as Sebastian Fagerlund’s Höstsonaten at the 2018 Baltic Sea Festival in Stockholm, featuring Anne-Sofie von Otter.
Dalia originally studied as a violinist and composer at the Tampere Conservatoire and violin, viola and conducting the Sibelius Academy. As a conductor her teachers include Jorma Panula and Leif Segerstam. In December 2018, she had the honour of conducting the Royal Stockholm Philharmonic at the Nobel Prize Ceremony in Stockholm.
Almost immediately on completion of her vocal studies in Oslo (Norwegian Academy of Music), Paris (Conservatoire National Superieur) and then Copenhagen (Royal Danish Academy of Opera), young Norwegian soprano Mari Eriksmoen found herself with a dream offer to sing Zerbinetta in Theater an der Wien’s production of Ariadne auf Naxos which marked the start of a close relationship with this major theatre. Eriksmoen’s frequent return visits to Vienna have included Olympia (Les contes d’Hoffmann), Euridice (Monteverdi’s L’Orfeo), Teti (Rossini’s Le nozze di Teti e di Peleo) and Rosina (Paisiello’s Il barbiere di Siviglia), and she attracted wide attention and received universal praise for her portrayals of Susanna, Zerlina and Fiordiligi in a cycle of Mozart’s Da Ponte operas together with the late Nikolaus Harnoncourt in performances broadcast throughout Europe on both radio and television.
Other key appearances in recent seasons have included Pamina (Die Zauberflöte) at Festival d’Aix-en-Provence, The Norwegian Opera and last season at Opernhaus Zurich under General Music Director Fabio Luisi, Blondchen (Die Entführung aus dem Serail) at Oper Frankfurt, Glyndebourne Festival and at the 2015 BBC Proms, and in a display of repertoire versatility Eriksmoen has also appeared as Waldvogel in Wagner’s Siegfried as part of Daniel Barenboim’s epic Ring Cycles at Teatro alla Scala. Other roles include Fiakermilli (Arabella), Adele (Die Fledermaus), Amore and Euridice (Orfeo), Sandrina (L’infedelta delusa), Soeur Constance (Les Dialogues des Carmélites), and last season she had a major success as La Fée in Damiano Michieletto’s production of Cendrillon at Komische Oper Berlin under Henrik Nanasí.